The Japanese pop group XG, who have taken the global charts by storm, have credited the British music industry for its role in their success after enduring what they describe as 'brutal' training regimes in their home country. The seven-member girl group, who trained for years under a system often criticised for its intensity, say the UK's emphasis on creative freedom and artist wellbeing was a crucial factor in their breakthrough.
XG, short for 'Xtraordinary Girls', began their careers under the Japanese entertainment company Avex, where they underwent rigorous training in singing, dancing and performance from a young age. Members described 12-hour days, strict diets and high-pressure evaluations. 'It was tough, really tough,' said member Jurin in a recent interview. 'But it made us strong. However, when we came to the UK and worked with British producers and songwriters, we finally felt we could breathe creatively.'
The group's debut album, featuring hits like 'Shooting Star', was partially recorded in London. They collaborated with British artists and producers, including some from the grime and R&B scenes. The result was a fusion of East Asian precision and Western urban edge that has resonated with audiences worldwide.
Music industry analysts point to the UK's unique blend of public funding via the BBC and Arts Council, grassroots venues and a culture of artist development as key factors. 'British music has always been about taking risks and nurturing individuality,' said Sarah Jenkins, Economy & Labour Reporter. 'While Japan's system produces technical perfection, the UK system allows artists to find their voice.'
But Jenkins also raises concerns about the precarious nature of the UK music industry for domestic talent. 'The cost of living crisis is hitting young musicians hard. Many are working multiple jobs just to afford studio time. The success of XG is a testament to the system, but we must ensure it remains accessible to British artists too.'
XG's success comes amid a growing debate about the welfare of trainees in K-pop and J-pop industries. Several former trainees have spoken out about mental health struggles. The group's openness about their past experiences has sparked calls for reform.
'We want to be part of a change,' said member Chisa. 'Our fans in the UK and around the world have shown us that music can be both joyful and healthy. We hope to inspire a new generation of artists who don't have to suffer to succeed.'
The British music industry, still recovering from the pandemic and Brexit, has seen a boost in international collaborations. XG's story highlights the soft power of the UK's creative sector. But as Jenkins notes, 'We must invest in our own grassroots talent while welcoming international artists. The future of British music depends on it.'
